Equipment

5D: shoot HD on a full frame chip (24x36mm) as QT to CF card. 7D: slow motion option.

What I love most about DSLR cinematography, is the sheer size of those tiny cameras. I went through intensive post-production with several movies shot on DSLR and do know all the pros and cons of getting DSLR to theatres. If you consider shooting your project on a DSLR camera and need advice to choose yes or no – feel free to buzz in. sannekurz [ad] gmail.com for lovely mails and job offers. Find all contact details here.

Watch a trailer of Andererseits, a feature I shot entirely on my 5D DSLR, *here and *here. Watch footage of The Biggest Lie, shot entirely on the Canon 7D, *here. – My 5D and 7D come with

Fixed & Zoom Lenses: Canon EF 24-70mm/f2,8 – Canon EF 70-200mm/2,8, Canon 50mm/1.8, Macro Lens – get as close as 2cm, Lens-Baby including Pinhole, Zone-Plate and Bellow-System similar to shift n’ tilt
Follow Focus, Matte Box, 4×4 Filters ND, Pol
Tripod, Shoulder Mount, Hand Held Rig
MacBook Pro, Download Station, CF cards, Batteries, Chargers
On Board Monitor